With five sun A's and 3 B's, Intermediate to Karanda with 5 wheels, 3 drop-backs and knee-stand-ups, and a 15-8 closing, in 65 minutes.
Emphasis on breathing, made this happen. Hangin' out in Pasasana, looking at the back yard grass, and breathing. Lookin' at the bean stalks, hangin' out in Shalabhasana B, breathing. And so on. No toes in Kapotasana, which is fine. No hand bind in Supta Vajrasana, also fine. Feet locked overhead, not behind it, in Dwi Pada. Again, fine. I made three lotuses in five attempts at Karanda, which is a record, but in two lower-downs, no success. One went to pieces and the other landed in the famous butt-"flump!" for which Karanda attempts are famous.
Dropbacks, hard. Hands and head, practically, for all three. Tighter today. But still, who cares? Breathe and you do.
The Tittibhasanas were still delicious; love that sequence. Yoganidrasana, while maybe not legal this way, is VERY much deeper when I hold the left leg back with left hand, and then work righty under the shoulder and hook the feet. Right hip did not permit a full Eka Pada Sirsasana on that side, so I held the foot with the left hand and did the pose that way. Breathe, do not think.
Then I went and taught a most-of-Primary (we cut 10 poses, I think) to five students. Yesterday I also had five students (all different ones). Perhaps there's some ashtanga interest in this town yet. There was a dude who can jump back and a flexible art student who I know can be carved into an ashtangi. There were two women who I only later found out were 50, who had great practices. It's cool to look at people ten years older than I am and still see them breakin' it down.
Tomorrow and the next day I teach a class, one at the studio, one at yet another venue, probably with yet new students, then Thursday my usual yoga gig, where we do Rocket, and then vinyasa on Saturday morning, and my usual Sunday yoga gig, and then a Monday night Intermediate.
There was weird ENERGY, like enthusiasm, not exhaustion, in Pincha and Karanda today, I was somehow very excited about getting vertical after all that back-and-forward of Intermediate. I no longer dread either Kapo or the Pada Sirsasanas; it's just move and breathe. Of course, my Kapo is totally half-assed, but I can breathe in my half-assed Kapo, and so it is NOT as half-assed as it USED to be, even though it LOOKS the same. I think that's a valuable lesson. The change in the pose has NOT been in how it looks.
I hope for more regular practice, so that I can add in the Kapo dropbacks. When I just get to practice twice a week, there's no time for screwing around with those, plus, practice isn't regular enough to make their benefits stick. Consider this my newest intention.
9 comments:
What's not kosher oin how you're getting into yoginidrasana?
Not sure: is one supposed to do it Dwi Pada style, where you don't touch the left leg but just take righty back?
This is the disadvantage of never formally having been shown/taught the pose.
Hi Patrick have been reading your blog for a while and have learnt lots. I'm wondering if I might return the favour with some standing up from drop back advice. Difficult over the internet of course and you'll have to forgive me if you have heard it all before.
When you come up to kneeling I presume you are swinging pelvis to get some momentum? If this ends up with you ending up on knees then I think you probably need to keep the pelvis higher as you swing forward bending the knees less. It might take a while to develop flexibility necessary. Also think about coming forward not up to begin with, it's all about shifting the weight. Hope this helps.
Helen,
Good to see you in these parts! Yes, I like this advice: what I've been thinking about my backbends and standing, is to shorten the distance from hands to feet, which should come with pelvis up, which should come from flexier hip flexors.
If you want to get into math, my usual hand-to-foot distance in an Urdhva Dhanurasana is about 65cm (a little over 2 feet in US terms). If I walk closer than this, my feet forcefully turn out, and/or the knees substantially bend, so I think it's all a hip flexor flexibility issue.
I'm willing to say more about this, of course :)
Hi Patrick,
Yes I have really enjoyed your posts about hip flexers. I think you are right. Have been working on this myself as I have been working on dropping back without feet turning, which I can now do (on a good day). Now I need to work on it as I come up to standing. I think I need to get my legs pretty straight for this!
I found when I was learning to come up last year that I was moving from the knees more than the pelvis as I came forward. Fortunately a teacher spotted it and the advice really helped.
Regardless sounds like your on the right track. What I loved about this post was your non-attachment to getting the pose. I practised second series myself yesterday and had much the same attitude. Kinda have a go and move on. I'm gonna think about the distance thing and get back to you........
I've never heard a prohibition on touching the left leg in either yoganidrasana OR dwi pada. I do whatever it takes to crank 'em both back there nice and deep... Go for it!
Yes, am enjoying this breathe and let it happen approach too. Sacrificing some intensity here and there, Kapo feels lazy for instance but figure that will improve again over the next couple of weeks. Enjoying the second half of intermediate more now as well.
Hey, this "breathe and do" bit seems to be catching...excellent!
Grim, do you sense any extra excitement about the Pincha/Karanda half of Second? I notice that as I chill out Kapo and the Padas, those inversions get downright invigorating.
Susan, thanks! I will officially take this as an OK to get em back there any which way :)
And not just to Helen but to anyone, I'm all ears on further standing up advice :)
What I was doing in Feb/March was to take more breaths in more wheels (say 8 breaths per, in 5 wheels, or working toward that) and coming closer to the feet, each wheel. That really seemed to be cracking into the hip flexors.
I got better results from playing with endurance (more wheels, longer) than from playing with depth (going for as deep as possible).
just wrote a line about that at Fatou's, there be flow in that second half of Inter.
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