Yes, everyone, apologies that I don't post much anymore; when you're doing seventh series, you'll understand :) Anyway, the world's quickest weekend summary!
1. I got the Kino Intermediate DVD last week, and it inspired a week of practices. It's GREAT. I actually got more out of the practice disc than I did out of the "how to work" disc, and the major poses it changed for me were Pasasana, Supta Vajrasana and those of the FBH section.
2. Having Kino in person, directly after that, was a freakin' gift. Marvelousness.
3. I stayed in a hostel right downtown. Public transportation in Chicago, at any hour of day or night, is marvelous and easy.
4. At Friday morning's Mysore, with over 50 people, Kino said, "If you have a long practice, begin now; if you have a short practice, begin in about 15 minutes." That's how it was split.
5. At the FIRST Chakrasana (after Supta Padangusthasana), I re-activated a HOT nerve pinch in my left trapezius. That HURT. And it made the backbends of Intermediate, well, let's just say a LITTLE challenging. But I did up to Dwi Pada anyway because I was having fantastic energy.
6. Kino's assisted backbends go like this: 2-3 drops back with arms crossed, and then back to hands and WALK in, even with HEAD DOWN, walk in as FAR as possible, and then when maxed out, PUSH UP, LEGS STRAIGHT, ARMS STRAIGHT. Holy COW, is that hard. But it's SO cool. Tightest wheel I've EVER done, and I don't even want to know how close to my feet, my hands were. I took a HUGE walk-and-crawl-and-creep-in. Kino said, "Good, you found the strength!" It was nuts, but I loved it.
7. The adjustment 4-hour session was geared toward Marichyasana D; we did twists, shoulders, spine lengtheners. Kino likes to put a foot on practitioners, more than Matthew Sweeney does. Great adjustments were learned.
8. The strength session was very much about slow movement and stability. We "walked" jumpbacks and throughs, but holding the pose, picking up one foot, arms STRAIGHT, just holding the moment of "through" (no matter what direction). It was fabulous. I was POURING sweat. We also got all about the shoulders in headstand; the idea is always to DEACTIVATE the traps and to ACTIVATE the lats, and just from teaching people how to jump and how to invert, I knew that, but it was so, so good to have the reminder.
9. The next morning's Mysore saw me get up to Kapotasana, with an adjustment but not even Kino could get me to my toes. Too much collapse, energy weak by that point. I was bummed about that but the final backbend (which again was an epic walk-in and push-up) made it better. Just can NOT turn down that amazing energy, that opening, both strength and flexibility. Also, my dropbacks and standups FINALLY returned, after about a week off, in this class.
10. The Intro to Intermediate was a selection of poses that we took apart in great anatomical, energetic detail. Pasasana, all backbends except Parsva Dhanurasana, Eka Pada Sirsasana, Pincha and Karanda, Nakrasana. As the "Pasasana" model, I was able to take a wrist. That was a first, and super cool. We did a Kapo adjustment where the maximum asked was just to touch the floor. It was very informative. Set up the stability, the strength, in the lats, ribs, hips, and THEN bend.
10a. Kino said for us to ask questions after, so I did: pretty much a straightup "What's up with my Kapo?" I'd been waiting for EVER to ask that, because it's been FOURTEEN MONTHS since my last Mysore room. She said, "You have the flexibility for it, based on your final backbend, it's just a matter of using the STRENGTH to keep your head off the floor. Do not walk in unless your head is up."
11. Before the final Primary on Sunday, there was open practice, and I wanted to learn some of the stuff we'd talked about, in my body, so I decided to do a full Intermediate. Yeah, I know that sounds dumb before a 150-minute Primary, but I wasn't thinking about the Primary, I was thinking about learning, about embodying the knowledge. I used to double-practice a LOT; I still do now and then. Moksha's Mysore guy was leading some students through a partial Primary, and he gave me a GREAT Supta V assist.
11a. Notes: Pasasana, bound both sides. Shalabhasana: LONG, not HIGH. Better that way, builds the body awareness for the harder backbends. Dhanurasana: high, shoulders, not low back. Kino told us, pull with the arms, it's NOT just in the legs. Ustrasana: looking down, chin to chest, builds a better, steadier bend, than looking back right away. SEE the belly suck in. Kapo: did it twice. Hands down, PUSH, and then walk, PUSH, then walk, hands WIDE, OUTSIDE the feet. Both times, tension appeared not in the back, but in the SHOULDERS. I have no idea how far in I walked, but my back was FINE; it was the shoulders that were staring to burn, and I've NEVER had that before in Kapo, so it's completely interesting.
11b. More notes: Big twists. Right glutes did not complain in Ardha Matsyendrasana, and they usually do. FBH was good, solid, but righty is still tighter than lefty. Could not balance in Dwi Pada (as usual) but could lift up. Pincha only took the tiniest, the MOST MINUTE, of hops, to get into. I'm learning to do it with pure strength and body alignment, no jump needed. Same entry to Karanda; did Karanda four times, made and lowered the lotus once with head up. Needs work, but that's cool. Mayurasana, fun. Nakrasana, fun. Vatayanasana, proves that left hip is more open than right (knew that). Parighasana, fun. Gomukhasana (now understood as a balance pose, not a hip opener, from the DVD), fun. SUPV, STILL cannot keep bound half-lotus toe in the roll. Eh, that's fine. Headstands, did all and timbered all, except the third one, where I couldn't keep the balance. Three backbends, three drops and stands, full closing. GREAT practice. Later, however, I would be SMOKED in the Primary poses that are quad-intensive: UHP floating the leg, Navasana. The counts, as expected, were long. The Sirsasana was FIFTY TWO of my regular breaths. FIFTY. TWO.
12. My ride and I ducked out of the final session, so that he could meet his new relationship and build it a bit more; I can respect that. Now I am back grading and writing a test and so forth and so on. But practice, mmmm, yummy practice. I'm totally geared for it now (yes, I know it's a moon today, but I mean in general). Very inspiring stuff over the weekend.
13. I saw Lars von Trier's new thing ANTICHRIST. Do NOT put that film in your head unless you want some SERIOUSLY traumatic imagery in your consciousness. I mean, it was chewy and has an interesting concept and a lot of BEAUTIFUL photography, but hot DAMN, you'll never un-see some of those images.
Monday, November 2, 2009
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9 comments:
"even with HEAD DOWN, walk in as FAR as possible, and then when maxed out, PUSH UP, LEGS STRAIGHT, ARMS STRAIGHT."
Am I imagining this correctly? Come down from first UD to top of head, then walk in feet? I get smacked for foot walking (vs hand walking) all the time. I'll be thrilled if Kino gave thumbs up to foot walking...
Thanks for the report!!
I spy in you in Kino's pics on FB. Fun!
Thanks for the juicy report. I'm practicing with Kino in January and am too excited!
Saw your pic on Kino's FB. Nice pasasana!!!!! Before I even noticed the tag I was like 'hey, is that Patrick?', LOL.
Oh, and if I have to guess, she steps on people a lot because she's teensy and it probably gives her leverage. She's so tiny in person, but strong as an OX, right?
Karen, sorry but no! Walk in was always hands! The precise directions I got were, UD, walk hands in, walk again, head down, walk in, keep walking in, ok stop, PUSH. It was always hands.
Alin and LIA, yes, indeed, that's me (and Matt, my co-conspirator; we're doing side-by-side shoulderstands and s-b-s seated half-lotus in those pics). Kino just up and picked me out to do the Pasasana in the Intro to 2nd class, and sure, so be it. It was totally fantastic.
SO the head down part means you put the head down as a "placeholder" (LOL!) and still keep moving the hands forward? Okay, I think I get it.
Great report Patrick...Thanks!
Question, did Kino mention any tips for making that transition out of Pincha when she talked about second series stuff?
just can't seem to get my head around that and won't see my teacher until March! :)
Christine,
Nothing was said about timbering down or chaturanga hands, no. I've found that if I "do Shalabhasana" and then timber, somehow the hands get light, I'm not quite sure how it works.
I'm really delighted you got to do this. Kino continues to inspire just universally, too!
You really know how to squeeze the marrow out of life, and especially ashtanga. Right on!!!!
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